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Дата публикации: 2017-12-24 16:25

The train is a metaphor [8] or the impetus to reach an illusory point that can never be met. The artefact is in the way. There’s enough paganism, enough mysticism in the mountains to alter the journey’s trajectory of expectedness, of foreseeable modes. Now you are on the bandwagon.

New-territories

Durant le test, une sorte de vapeur sera émise, elle nous aide à collecter l’évolution de vos émotions sans intrusion nocive… Laissez-la vous pénétrer, respirez-la. Elle n’est aucunement dangereuse pour vous … j’en absorbe moi-même simultanément.

Dance Auditions Worldwide - Balletcompanies

There are two parts. Research unfolds in what we call the Process room, a pretty basic space. You have to take your time so that the interactions between physiology, robotics and computation fully emerge in their logic and interdependence. The other part, the exhibition, is a suite of visual indices. Since these clues are neither didactic nor chronological nor pedagogical, visitors construct their own logic and subjectivities.  Furthermore, this part has an immersion area, a physiological testing station, where visitors, called prospective purchasers by analogy to a sales office, are themselves experimental subject and object. This cognitive and immersive mechanism thus articulates a thirst for knowledge and a willingness to lose oneself in that quest.

Performance Studies Methods – New

Regarding your question, it only takes a few years for technology to drain and absorb speculations that once seemed unreal. For instance, in Switzerland and Japan we’ve designed two buildings entirely conceived by numerical control using optimization algorithms, one made of solid wood and the other of polyurethane foam. In five years what once was plausible has become possible. In this case, it’s important to conceive protocols and designs not to stand out in some glamour interior decoration magazine but to magnetize a point in the near future, so that it draws our present towards itself.

Votre archivage est magnifique, certes, et comme conservateurs de musée, on ne peut que vous respectez…mais votre politique culturelle en temps réel est affligeante de complaisance….ce qui n’intéresse plus personne…. voir le taux de fréquentation… ce que vous Estampillez ‘recherche’ ne fait plus recette… Faut-il en questionner le contenu ? Est-ce là vôtre nouveau cahier des charges de produire des cocottes en papier…indolore, inodore, abscons.  Beaucoup sont mes amis, ils attendaient mieux que votre instrumentalisation infantile, et qu’au contraire… vous les aidiez à dépasser ce stade de Geeks pré-pubères qui leur collent à la peau. La faute à qui ? A votre Mentor, et son ‘Que Sais-je’ de philosophie en poche ? ou à votre manque de ‘science politique culturelle’ ?

It’s an unprecedented experiment in which architecture harnesses several different fields of exploration – neurobiology, mechanization and math protocols – working together as an ensemble of structural, transactional and relational operating modes.

-Paris / UPenn Invitation / 9 June / Amphitheatre des Loges / Frenchglish Speaking / Beaux Arts Quai Malaquais

In Dustyrelief, an art museum project in Bangkok, you are reflecting this schizophrenia, constantly hanging between a breakthrough toward a new model and a breakdown into an old, used, and familiar model.

The operators of belonging, union, inclusion, intersection and disjunction describe morphologies characterized by their dimensions and position and above all by the negotiations of distance they carry out with the other parts. This produces relational protocols, protocols of attraction, repulsion, contiguity, dependence, sharing, indifference, exclusion, etc. Before the morphology of a habitat is reduced to a functional typology, first it’s structured as an area of exchange.

Take care of possible exhaustion of the machine, as well as of the feeling of impuissance in front of its never-ending chore.